Ever since the
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
古代有(🕡)一伙劫富济贫平乱为(🙄)民的正义强(qiáng )盗，与一(🥙)(yī )伙无(📣)恶不(bú )作的海盗(dào )，共(🔋)同得(dé )知一条关(💮)(guān )于(💾)宝藏(💢)(cáng )的(de )消息，但(🐩)(dàn )想(🐕)找到(🙌)宝(bǎo )藏必须(❔)要(yà(🍻)o )找(zhǎo )到一位(wèi )女(nǚ )孩(🆎)，藏(cáng )宝(bǎo )图与开(kāi )启(🤱)(qǐ )宝藏(🌑)大(dà )门(mén )的钥匙(shí )在(📯)(zài )女孩的(de )手(shǒu )中(🗒)，但(dà(🏏)n )女(nǚ )孩在多年前(😺)已经(😪)消失(📽)在那个世界(🗄)，传闻(🐙)是穿(🎽)越到了另一个时(🏎)代。
Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change
电影《哈斯巴(🙃)根的天骄》是一部由王(🏦)晓民编(🤸)剧的电影作品，影片主(🤸)要讲(jiǎng )述了研究(🔐)(jiū )生(🍮)李瞳(🈯)从(cóng )北京到(👬)内(nè(😱)i )蒙古(🆙)牧区(qū )小学(🤩)支(zhī(👙) )教(jiāo )，牧区(qū )学(xué )校教(🔃)育也(yě )在与时俱(jù )进(🤮)，力求(qiú(🔏) )让(ràng )牧民的(de )孩(hái )子们(👣)插(chā )上(shàng )高科技(🦄)(jì )的(⛳)(de )翅膀，飞(fēi )出草原(👤)(yuán )，飞(🐥)向全(🔤)(quán )世(shì )界。李(🦄)瞳觉(🔙)得：草原优秀传统文(🛣)化不能丢掉，现代的孩(📉)子仍然可以在马背上(👞)锻炼自(🔀)己的体魄的故事(🚟)。
城市(🤡)里出现了一群怪(🚇)鸟，他(🍾)们开(🥥)始筑巢，而人(🕝)们被(😲)(bèi )慢(👻)慢的吸(xī )引(⛳)到巢(❌)里(lǐ )居住。
本(běn )片来自(🎪)新(xīn )片场创(chuàng )作(zuò )人(🥡)吴晋超(👊)(chāo )，他担任(rèn )这部影片(🔜)(piàn )的(de )导演、编(biā(🖖)n )剧、(📉)美(měi )术(shù )以及剪(📛)(jiǎn )辑(🧥)(jí )。出(🤨)品(pǐn )方(fāng )为(🌑)BITONE。
宇(yǔ(🌳) )宙(zhòu )犯罪者(zhě )ベムル(🅱)とその一味を追って(🛴)地球にやってきた宇(🌡)宙の警(💖)察と呼ばれるス(🚓)パン(🛩)デクサーの一人(🔣)スパ(🏟)ンデ(➖)クサーＡは(🔰)、ベ(💚)ムル(😛)たちに襲わ(🐦)れて(🐥)いた地(dì )球の捜査(chá(🔫) )官・目白(bái )を助ける(🕝)が、そ(🍂)のためにベムルたち(🌱)を逃がしてしま(🏌)う。目(🕺)白の協(xié )力のも(🕐)と、(🎙)地球(🔬)(qiú )に残って(🔎)ベム(🖌)ルを倒(dǎo )そうとする(👛)スパンデクサーＡの(🐣)前に、宇宙の犯罪者(💢)たちが(🥁)スパンデクサー(🌵)たち(🍧)を倒すために作(🍫)った(🎥)人工(🦆)生命体ゾー(🦌)ラが(🙅)現れ(🧜)る。スパンデ(🍝)クサ(🥂)ーの弱点の物質(zhì )で(👝)作られたゾーラに敗(⛹)北した(🏂)スパンデクサーＡは(🏓)、ゾーラに拉(lā(✳) )致さ(💺)れ壮(zhuàng )絶な拷問(🍧)(wèn )を(👱)受け(👠)る。そして残(🌚)(cán )虐(💉)な性(xìng )格(gé )のゾーラ(♐)は、目(mù )白(bái )を捕ら(🥊)えて、家族に危害を加えら(🥇)れたくなければ(🛎)スパ(🙅)ンデクサーＡを(💒)その(🏔)手で(🚁)殺すように(💳)命令(🕥)する(🚜)のだった。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
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