沿海小(xiǎo )镇，&
沿海小(xiǎo )镇，威(wēi )廉和大(dà )角两兄弟(dì )率领的(🎎)(de )两(Ⓜ)大(💚)帮(🧚)派——(🐊)白(🐔)边(🛄)，黑边(biān )长期盘(pán )踞于此(cǐ )。小镇青年不，本身只是(🦌)一个暗(👫)恋(🤶)邻(🍩)家(🌖)女(nǚ )孩(🌩)汐(🈺)却(què )不敢表(biǎo )白，开着咖啡厅(tīng )混日子(zǐ )的小人物，却因自(🏜)己(🧠)的(㊗)好(🏥)(hǎo )兄弟(🦊)三(🏽)(sān )尺介入(rù )帮派斗争(zhēng )，在与(yǔ )白边中神秘冷美人兰、(💴)好(🛹)(hǎ(🧛)o )战(🐓)的风(fēng )、(🥜)狠(💏)辣(là )的大角哥(gē )的较量(liàng )中，不的战斗热血和战斗(dòu )天(🦖)赋(🧖)被(👦)(bè(🆚)i )强势激(😮)(jī(🤓) )起(💾)，一发(fā )而不可(kě )收。然而接下来，汐的暧(ài )昧与伤(🐋)(shāng )害，帮(🍕)(bā(🔉)ng )派(📓)斗(🌝)争的升(🏫)级(👱)，与冷美(měi )人兰灵与肉的纠葛(gě )，兄弟(dì )三尺的(de )困境，让本无(⏬)心(✴)(xī(🎻)n )江(🌺)湖的(de )不(🎏)必(😨)须挥动拳头杀出重重(chóng )包围。
Ever since the death of her first dominant, William Frederick, Emma has struggled to adjust to life as a submissive without him. Unable to form lasting connections with other men, Emma chooses to abandon the lifestyle completely. But, her world is flipped upside down when she meets Mariah, a sassy young woman eager to explore the BDSM world. Seeing much of her former self in this young woman, Emma takes it upon herself to educate Mariah about life as a submissive and volunteers to act as her temporary dominant. However, things become complicated when Mariah grows attached to Emma and wants their arrangement to become a permanent one. Will Emma be able to walk away from the life she always loved and a girl who desperately needs her? Or is there more in the BDSM world for Emma than she ever fully realized?
前滑雪(xuě )俱乐部种(zhǒng )子选(🔱)手(👨)(shǒ(😪)u )，现(♍)任雪场无(💸)照(⏲)小商贩的(de )女孩雅(yǎ )琪捡到(dào )了一个来(lái )自异世(shì )界自(🚃)称(🆗)滑(🥨)雪(🎻)冠军的(➗)英(😓)俊(⛅)青(qīng )年穆勒(lè )。雅琪(qí )为了骗穆(mù )勒的装(zhuāng )备和技术去(📦)参(🌼)加(❄)比(🔳)赛拿奖(🎗)(jiǎ(🥙)ng )金，谎(huǎng )称帮夺(duó )冠就可以解除他(tā )身上的(de )“诅咒”送他回家(📼)(jiā(🔘) )。于(📞)是(🌂)(shì )在雅(⬛)琪(🈹)(qí )“身经百战”的(de )五菱宏(hóng )光里开始了他们边卖货挣(zhèng )钱边(📤)训(🌬)(xù(🎄)n )练的艰(jiā(🧜)n )苦(🉐)同居生(shēng )活。
两(liǎng )个来自北京和上海的女孩(hái )，带着(zhe )自己(🛑)的(💝)(de )过(🐃)去(❕)相遇(yù )在(🚠)318号(🤹)公(gōng )路，一起骑行、各自找寻(xún )、重新(xīn )迷失、又再次(🐡)自(🎺)(zì(😲) )我(🛋)救赎(shú(🎓) )。经(😐)历(📇)不一样的人和事后(hòu )如何面(miàn )对生活(huó )、理解生命的(👧)故(🚉)(gù(🎮) )事(🥤)。
本(běn )片(🍽)来(📌)自新片场创作(zuò )人吴晋(jìn )超，他(tā )担任这部影片的(de )导演、(🚢)编(🤹)剧(🌲)、美术以(🎞)及(🔽)剪辑。出(chū )品方为(wéi )BITONE。
《四(sì )个春天》是一部(bù )以真实家庭生(🍙)活(😝)为(❗)背(🗜)景的(de )纪录(🔕)片(🕧)(piàn )。15岁离(lí )家，在异(yì )乡漂泊(bó )多年的导演以自己南方小(🤱)(xiǎ(♋)o )城(😑)里(⏰)的(de )父母(🖼)为(👝)(wé(🧓)i )主角，在(zài )四年光(guāng )阴里，以一己之力记录了(le )他们的(de )美丽(🍕)日(👦)(rì(⛓) )常(🎴)。在如诗(🐁)的(📥)乐(lè )活慢生(shēng )活图景中，影像缓(huǎn )缓雕刻(kè )出一个(gè )幸福(🚀)家(🈚)庭(😳)近二十(shí(🌛) )年(📠)的温(wēn )柔变迁，以及他们如何以(yǐ )自己的(de )方式面(miàn )对流(😱)转(💨)的(🌒)(de )时(〽)间、人生(⏫)的(🕓)得失起落。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.
详情
