曾經(🍼)意(yì )氣&#
曾經(🍼)意(yì )氣風發的(🍲)刑(xíng )警(🔞)豪哥，數年(nián )前(👼)因一樁殺(shā )妻案的偵(🍅)辦疏(shū )失而遭(🕦)受打擊(🚗)(jī )，再也不到(dà(🈹)o )前線偵辦。突(tū(🏂) )如其來(🛫)的『未成年少(🏾)女砍(kǎn )人案』(🌸)，卻再(zà(🆑)i )度將他捲入(rù(〽) )深黑的漩渦中(🧜)(zhōng )。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Joy Holbrook is an intuitive market researcher in DC who has captured the attention of the account's CEO and is about to get a sweet promotion, just in time for the holidays. She receives an urgent phone call from home and she rushes back to Crystal Falls, NC to help her Aunt recover from surgery and is reunited with her former crush, Ben. To keep her Aunt focused on healing, Joy volunteers to take Ruby's place with the town's legendary baking competition, the "Cookie Crawl," much to the amusement of Ben who knows Joy has absolutely no idea of the Herculean task before her. Though Joy initially refuses Ben's attempts to "co-captain," she begins to soften and let him in, all the while remembering that there truly is no place like home.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🦃) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.
巴(bā )勒斯坦(🌘)電視台(🍽)(tái )攝製臥底肥(😆)(féi )皂(zào )劇，連以(🦂)色(sè )列(🧞)婦孺都晚晚(wǎ(✒)n )追看。編劇(jù )因(🤯)情節背(💀)離革(gé )命而辭(🥄)職，監(jiān )製的多(👏)口侄(zhí(🚁) )仔助理受命執(🏗)(zhí )筆，頻(🍡)頻借(jiè )女角之(⛎)口，向(xiàng )電視機(🌾)前的(de )舊(🥔)(jiù )愛示好，以(yǐ(🍰) )色列檢查站軍(🥅)(jun1 )官則企(🆗)圖恃(shì )權影響(🙎)劇情發(fā )展，以(🥙)便在(zà(🎁)i )追看的嬌妻面(⬅)(miàn )前自吹自擂(🙄)。助理即(🔠)使槍(qiāng )抵腦殼(😱)，都不(bú(🕤) )肯接受軍官(guā(🍑)n )要求的大團圓(⏭)(yuán )結局(💴)。抗爭(zhēng )，必須繼(🍻)續！影展新秀蘇(🏔)亞(yà )比(📯)巧妙調侃(kǎn )以(🦒)巴關係，他(tā )的(🥨)喜劇座(🌵)右(yòu )銘(míng )是：(🕎)要能大(🍬)(dà )笑，必須面對(🔶)(duì )苦痛，並與(yǔ(📃) )之周旋(🚍)。獲威(wēi )尼斯地(💻)平線(xiàn )單(dān )元(🤰)最佳男(🚪)主(zhǔ )角獎。
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