本片基(😎)于(🏴)弗洛(luò(🅾) )伦(💿)西亚埃(🚈)切夫(fū )斯(♑)(sī )的小说(🐌)《科(kē )妮莉(🔞)亚》改编，讲(🎬)述一位来(💜)自布(bù )宜(💝)诺斯艾利(🔪)斯(sī )的(de )名(💹)校老师和(🔳)(hé )五名学(🌦)生进行了(♌)(le )一次学习(🔠)旅行，其中(😢)一个叫(jiào )科(kē )妮(nī )莉亚·维拉(lā )尔巴的学生神秘(mì )失踪，据说，她(tā )和同伴们相(xiàng )约(yuē )一起去跳舞，结果(🧐)在巴塔哥(✉)尼(ní )亚森(🛀)林中走失(🦖)....
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
巴(🚇)(bā )勒斯(📛)坦(🐫)電視(shì(💑) )台(🎵)攝製臥(⛪)底(🤮)肥皂(zà(🤔)o )劇，連以色(🏓)列婦(fù )孺(🎈)都晚晚追(🌫)看(kàn )。編劇(🐂)因情節(jiē(🤾) )背離革命(😰)而辭職(zhí(📹) )，監製的多(🥀)口侄(zhí )仔(🤘)助理受命(🎶)執(zhí )筆(bǐ(📕) )，頻頻借女(😧)(nǚ )角之口(🖥)，向電視(shì )機前的舊愛示好(hǎo )，以色列檢(jiǎn )查(chá )站(zhàn )軍官則企圖(tú )恃權影響劇情發(fā )展，以便在追看(kàn )的嬌妻面前(💀)(qián )自(zì )吹(🔌)自擂。助理(🐣)(lǐ(📫) )即使槍(👼)抵(🍔)腦殼，都(🐀)不(⏹)肯接受(🐁)軍(🔄)(jun1 )官(guān )要(🦉)求(👷)的大團(🖍)(tuán )圓結局(🏛)。抗爭，必須(🍵)繼續！影展(💘)(zhǎn )新秀蘇(🚹)亞比巧(qiǎ(🛃)o )妙(miào )調侃(🎂)以巴關(guā(🔻)n )係，他的喜(👭)劇座(zuò )右(⌚)銘是：要(🙌)能大(dà )笑(👨)，必須面對(⏬)(duì )苦(kǔ )痛，並與之(zhī )周旋。獲威尼斯(sī )地平線單元最佳(jiā )男主角獎。
Set in the early 80s, K. G. F. - the first chapter centers the protagonist who leads a battle against oppressors in ysgou.cc Kolar Gold Fields.
每(měi )年(nián )八月，夜幕(mù )降临下的爱丁堡(bǎo )城堡，就(🎏)只属于(yú(📵) )戏剧和军(🍖)乐(lè )，力与(🍐)美(👄)的表达(🆖)(dá(🌞) )。
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family
Eela is an aspiring playback singer and single mother. She has given up all her dreams to raise her only son. But now her baby son 'Vivan' is all grown up and being a typical young millennial, doesn't want his mother's life to revolve around him. But being an over protective mother, Eela has other ideas and joins her son's college to spend more time with him. Unfortunately her plans backfire and she suffers a backlash from Vivan for invading his privacy. Will Helicopter Eela manage to salvage her relationship with Vivan and find her calling again?
Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
