Wolfgang.Amade&
Wolfgang.Amadeu.Mozart:
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
一名男(📒)子不滿(🍳)(mǎn )一樁(🤒)冤獄案件(jiàn )的發生(shēng )，私自綁架審(shě(🐵)n )判該案(🎅)(àn )的法(📘)官，將其(🏾)(qí )囚禁(⏸)於地下室(shì )，並錄(lù )影開直播(👙)，公(gōng )開(🏨)質疑(yí(🍱) )其判決(👌)有誤，要(🕕)求社(shè )會大眾對其進(jìn )行公(🐳)審並投(😭)票(piào )，然(🐊)而(ér )最(🥃)終的結(❕)果，會因此(cǐ )撼動程序正義(yì(💠) )嗎？
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
After his mother's sudden death, Socrates, a 15-year-old living on the margins of Sã(🏽)o Paulo's coast, must survive on his own while coming to terms with his grief.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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