UNDERNEATH is a
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
极具(🐖)音乐(lè )天赋(⏸)的小提琴(qín )家(🎼)Rose在作曲家父(🦒)亲(qīn )Richard死后继(🌲)承了他(tā )的大(🛫)宅子，Rose在宅(zhá(🖊)i )子中发现了(🚇)父(🔯)(fù )亲所作的(🙌)遗作中(zhōng )有(😈)一些神秘的(🔇)(de )符(🐗)号，在她的(de )助(📲)(zhù )手Charles的协助(👪)下，Rose逐步破解了(🍕)这(zhè )些(xiē )神(🎓)秘符号，同(tó(✉)ng )时也牵扯出她(🎅)(tā )和(hé )父亲(👈)身后隐藏(cá(🍙)ng )的惊人秘密。
東(🦂)(dōng )京國際同(🚶)志影(yǐng )展參(📹)展作品
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
本(běn )片(💩)(piàn )撷取了发(🧞)生在(zài )中国(💁)北方小城(chéng )镇(👲)(zhèn )中一个中(🎴)国青(qīng )年出(😺)狱后的一(yī )段(🥊)人生经历，讲(🔹)(jiǎng )述了一个(🔦)小(🥫)人(rén )物在商(🥗)品经济的(de )大(📶)潮中与时代(🐘)(dà(🍡)i )的隔离，以及(🎂)人(rén )们对金(🏯)钱的崇(chóng )尚和(💽)理想、道(dà(✌)o )德(dé )的流失(🌬)，对社(shè )会与人(🧓)性作出(chū )了(✳)(le )深度拷问。尤(🏍)(yóu )其是本片以(🍄)中(zhōng )国(guó )农(🏋)历冬季的四(🕚)(sì )个节气作为(🥥)篇(piān )章(zhāng )，具(🔪)有强烈的(de )中(🍪)国文化符号(hà(🙎)o )视(shì )觉。
详情
