《四(🛌)(sì )个春
《四(🛌)(sì )个春天》是一部以真(🦅)(zhē(🏛)n )实家(💿)(jiā )庭生活为背景的纪录(🏌)(lù )片(⛴)。15岁离家(⛄),在异乡漂泊(bó )多年(niá(🦗)n )的(🍬)导(dǎ(⏭)o )演以自己南方小(xiǎo )城里(lǐ )的(😂)父(🐤)母为(🈲)主角,在四(sì )年光(guāng )阴里(🍛)(lǐ ),以(😰)一己之力记录了(le )他们的美丽(🛤)日(🔱)常。在(🔖)(zài )如诗(shī )的乐(lè )活慢生(🏎)活图(🤑)景中,影(🕴)(yǐng )像缓(huǎn )缓雕刻出一(🍤)个(🔅)幸(xì(💬)ng )福家(jiā )庭近(jìn )二十年的(🤪)温柔(🤧)变迁,以(😬)及(jí )他们如何以自己(🥛)(jǐ(🌎) )的方(🌒)(fāng )式面(miàn )对流转的时间(🏫)、人(🤔)生(shēng )的(📊)得(dé )失起落。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In order to discover the truth about his brother's disappearance, a young man returns to his hometown to find answers.
《赏金恋人(📣)(ré(🧗)n )》是(shì(🐂) )一部青春、爱情、时(shí )尚喜(🤞)(xǐ )剧,讲(🌬)述了富二代千金女(nǚ )与(🐥)拜金(🤰)渣男、潦倒清(qīng )高的(de )画家(jiā(🍠) )三(👆)人间(♐)的爆笑爱情故(gù )事。由方(🙊)语昕(🐄)饰演的(de )的富(fù )二代(dài )苏珊,因(🐟)为(🚇)父亲(🙄)反对(duì )恋情(qíng )而负气离(🚮)家出(🚝)走(zǒu ),老(🌶)(lǎo )爸苏(sū )锦宏为寻找(🥉)爱(😣)女不(🏗)惜(xī )重心(xīn )赏金百万,巨(🌬)大的(📚)诱(yòu )惑(🕙)下(xià ),暴露出人性的贪(🎩)婪(🐅)(lán )和(🔕)欲(yù )望,一场全城奔爱大(dà )逃(📪)亡(wáng )的(🍟)爱情喜剧就此展开(kāi )。在(💡)(zài )一(👭)系(xì )列的全城追击、赏金(jī(🌰)n )闹(👧)剧中(🚋),方语昕饰演(yǎn )的千(qiān )金(🍭)苏(sū(🚝) )珊终于找到了人生的(de )归属,和(😉)黄(🎊)腾浩(📝)饰演(yǎn )的画(huà )家刘(liú )子(🤸)铭上(😝)演了出(🏉)公主爱(ài )上青(qīng )蛙王(🌍)子(😞)的完(💜)美爱(ài )情。
在兰(lán )若寺乱(🏢)葬岗(📎)外,女鬼(🐣)(guǐ )聂小(xiǎo )烟与女鬼海(🧒)棠(🖥)同为(🚭)树(shù )妖空(kōng )城的手下,两人一(🖇)起(qǐ )为(⚾)空(kōng )城服务,抗击捉妖师(😂)(shī )燕(🏒)南(nán )天,并日久生情,约(yuē )定要(📬)(yà(😵)o )互相(📨)(xiàng )守护对方,不料聂小(xiǎ(👌)o )烟在(🛅)偶遇书生傅青竹(zhú )后,这一(yī(🐡) )切(🧀)都发(🐰)生了改变,一(yī )场三角恋(🚍)生死(♒)之争愈(🤲)(yù )演愈(yù )烈。
一个年轻(📩)女(💄)孩爱(🐎)上了(le )一个(gè )比他大八岁(📥)的男(⛹)(nán )人。
In Germany, 1941, the Nazis pursue a Toymaker who has acquired a mystical book which gives life to inanimate objects.
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