20世纪福克斯(💩)最(zuì )近买下(🔡)了Alma Katsu下部(bù )小(🙁)说《饥饿》（The Hunger）的电(🔢)影版(bǎn )权，这(✋)部小说以《行(🚇)尸走肉》的风(🐶)格叙述了北(🚉)美历史上最(zuì )恐(🎆)怖的一段“食(🙅)人”历史。
Art dealer Trevor and his best friend Dante, an Italian/American fashion photographer, holiday in Capri where they both fall for Antonia, a local beauty. One of them marries her. Back in London Antonia is last seen in Regent's Park walking her Jack Russell terrier. The remains of a female body are recovered from Regent's Canal, and both her husband and his best friend are suspects in what increasingly appears to be a murder. This fast-moving story travels backwards in time. Exploration of the mystery of Antonia's fate follows twists and turns as hair-raising as the roads on the mountainous isle of Capri. The audience is ushered to the astonishing ending, proving along the way that the deepest mystery of all is that of the soul torn between desire and loyalty.
不管(🎥)这导演嗑(kē(😹) )了什么很纯(🔏)的，全部都要(🏆)给你来一点！在澳(🧛)(ào )洲这座曾(🚰)经被(bèi )称作(📇)「无主之(zhī(🔞) )地」（Terra Nullius）的(🏆)大(dà )陆，历史(🌊)以前(qián )所未见的(🚈)观点重新诠(🍍)释：当《疯狂(💏)麦斯》末(mò )日(🛍)场景成为难(🅱)(nán )民拘留地，食(shí )人羊成为反(⤵)殖(zhí )民叛乱(😎)份子，《沙漠妖(♊)姬》与电视剧(🕟)《请喜欢我》有(🎺)了跨(kuà )时空的酷(🎻)儿对(duì )话…(🌨)…本片以(yǐ(🧡) )近似DJ取样混(🏎)音(yīn )之拼贴(🦐)手法，打开了(✍)虚构与史实间的(😋)神秘黑(hēi )洞(💂)，大量援引(yǐ(🧛)n )电影名场景(🐄)与(yǔ )历史典(📋)故，穿(chuān )越时(🔅)空与各种语境，重(🍋)写、改写、(🌕)乱写，全面毁(🎌)坏观众的(de )三(📇)观！这是一(yī(😡) )部政治复仇预(yù )言，杂揉讽刺(👷)(cì )喜剧、生(🔴)态恐怖与公(🎾)路电影类型(🍧)，写下澳洲国(🚶)族神话从未(wèi )被(🧚)纪录的史诗(🔐)(shī )篇章。
故事(👋)发(fā )生在2045年(🎣)，虚拟(nǐ )现实(🕐)技术已经渗(🌨)透到了人类生活(📢)的每一个角(⏸)(jiǎo )落。詹姆斯(🍝)哈(hā )利迪（(✒)马克·里朗(🍛)斯 Mark Rylance 饰）一(yī(🕐) )手建造了名为“绿(🌂)洲”的虚拟现(👷)实游戏世界(🔜)，临终前，他(tā(😭) )宣布自己在(🚮)游(yóu )戏中设置了一(yī )个彩蛋(🐴)，找到(dào )这枚(📙)彩蛋的人即(🦈)可成为绿洲(👬)的继承人。要(📁)找到这枚彩蛋，必(🐿)须先获得三(🔔)(sān )把钥匙，而(🐾)寻(xún )找钥匙(🔦)的线索(suǒ )就(🈲)隐藏在詹姆(🚩)斯的过往之中。
雷(✈)切尔和男朋(😞)(péng )友分手了(🐥)回到(dào )家中(🌬)发现室友(yǒ(🛃)u )把她的床卖(🌹)了(le )，于是她们俩只(😁)能睡在一张(🌨)床上，在某个(🙅)不可描述的(🎦)夜晚(wǎn )个夜(🤪)晚，她两(liǎng )之间发生了一(yī )些(🤚)事情，蕾切(qiē(🕺) )尔动了真情(🧣)，而室友却觉(🕴)得她太黏人(⬛)，两个人的友谊因(🔼)同(tóng )床共枕(💖)，而发(fā )生了(🚠)微妙的变(bià(🧤)n )化。@橘里橘气(⏮)(qì )译制组
《大(😽)漠巾帼情》由国家(🥋)林业和草原(📴)局(jú )、中共(🦂)榆林市(shì )委(😽)宣传部、中(🥁)(zhōng )共榆阳区(🐺)委、榆阳区人民(〽)政府、中共(🛒)榆阳区委宣(🥉)传部联合摄(🍅)制，影片以(yǐ(🧑) )榆阳区补浪河(hé )女子民兵治(🔊)沙(shā )连为故(🀄)事原型(xíng )，讲(🍂)述了治沙连(⏬)四十多年来(🐭)坚持治沙造林的(👽)感人事迹，治(🕔)(zhì )沙连的女(💅)兵们(men )用自己(🚾)的青春(chūn )，在(🙀)毛乌素沙(shā(🏐) )漠中，谱写了一曲(📽)绿色的乐章(🥜)，讴 歌了治沙(⏩)(shā )连艰苦奋(🈹)斗、自强不(🚝)息的治(zhì )沙(🎍)精神，弘扬(yáng )了继(🌅)往开来、薪(🤧)火相传的革(🍿)命传统。
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
故事(🥍)讲述了一个(🥕)刚从(cóng )美国留学归来(lái )、完(💃)全没有事(shì(🔫) )业打算、一(🌂)心(xīn )想着享(👱)受人生的富(🕜)二代女孩，却突然(🧟)面临父亲去(➖)世、家族(zú(🐝) )企业危机等(🙏)一(yī )系列变(🌑)故。促(cù )使她(👃)坚强的担(dān )负起(🚒)了挽救家族(Ⓜ)企业的重任(🚥)。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
