明朝嘉靖年(🧛)(ni
明朝嘉靖年(🧛)(nián )间(jiān )，倭患不(🐁)(bú )止(🌾)。朝廷惊闻有(yǒ(🐂)u )民间组织和朝(💦)(chá(🍗)o )廷(tíng )官员里通(😽)(tōng )倭寇，渔利国(💇)(guó )家(jiā )，于是责(➗)令六扇门负责(🥈)侦(zhēn )查并找出官员(🐆)(yuán )通(tōng )倭证据(⛱)。六(🔺)扇门小捕快(🍫)陆(📌)(lù )小虾临危受(🎐)命(mìng )，同时被六(🥞)(liù )扇门总捕头(🧑)于(yú )初(chū )心派(👖)人追(🐰)杀，危难之际被(🚼)(bèi )“山河兵团”的(🉑)(de )七(🌕)爷所救(jiù )并带(🎯)回兵团之中(zhō(🚇)ng )。
From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs
前滑雪俱乐部(😞)种子选手(shǒu )，现(💺)任雪场无(wú )照(zhào )小(🍮)商贩的(de )女孩雅(🦒)琪(📧)捡到了(le )一个来(👡)自异世(shì )界(jiè(📷) )自称滑雪(xuě )冠(😁)军的英俊青(qī(🐪)ng )年(nián )穆勒。雅琪为了(⏪)骗穆勒的(de )装备(😝)和(🎧)技术去(qù )参(🐟)(cā(👚)n )加比赛拿(ná )奖(🏐)金，谎称帮夺(duó(👅) )冠就可以解除(📳)(chú )他(tā )身上的(🚜)“诅咒(📸)”送他回(huí )家(jiā(🤤) )。于是在雅琪“身(🛵)经(👻)百战(zhàn )”的五菱(🖕)宏光(guāng )里(lǐ )开(🔘)始了他(tā )们边(💔)卖货挣钱边(biā(🏿)n )训练的艰苦同居生(🐑)活。
青(qīng )年季诺(🍶)在(🥃)办完(wán )母(mǔ )亲(♈)的丧礼(lǐ )后，动(🖥)身寻找当(dāng )年(🍞)抛弃妻子的(de )渣(🦕)(zhā )父，却只(zhī )找(⛷)到疑(🚟)似小三(sān )的(de )肚(🎗)皮(🈹)舞娘萝拉。殊(💇)不(🚣)知这(zhè )位美丽(🍄)的小三(sān )，二十(🤲)五年(nián )前就是(🔵)季诺要找(zhǎo )的(🎚)「他(🐥)」。萝(luó )拉(lā )当(👓)年的绝(jué )情缺(⛸)席(🍘)，让季(jì )诺(nuò )难(😒)以释怀。面对毫(🎺)不知情(qíng )的儿(🐁)子，萝拉(lā )尽(jì(✴)n )管心慌，也尽其可能(🧢)用现(xiàn )在的模(🐛)样(🐩)爱他。几次互动(👱)(dòng )下来，季诺的(🚪)(de )心(xīn )逐渐柔软(🌧)(ruǎn )起来。重塑自(🎹)己(jǐ )且活得精(🕐)彩的(🧜)(de )萝(luó )拉，究竟(jì(🕳)ng )会(🎵)不会和季诺(✳)出(🎁)(chū )柜，坦承自己(🛀)的人生故事(shì(🤺) )？
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
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