《两个人的》

两伊(yī )战争的最(zuì )后日(rì )子里，阿尔玛营在阿(ā )布格(gé )雷(🎂)布(bù )海峡(🥖)的抵抗

黄(💵)金单身(shēn )汉维(wéi )杰是一名(míng )大学讲师，家庭教育(yù )影响(xiǎng )下他(tā )在这个年龄段(⛺)就想找(zhǎ(🌑)o )一个(gè )传(🏪)统善良(liáng )的女孩子结(jié )婚，从此(cǐ )过上(shàng )幸福美好的生活，他甚至(zhì )遇到(dào )了那(🚞)个在梦里(🚾)出现的(de )女(📬)孩，殊(shū )不知(zhī )名叫吉塔的漂亮女子(zǐ )对他(tā )完全(quán )不感冒。在回老家的(de )巴士上(⛔)维杰在(zà(♟)i )命运的安(👆)排下与吉塔(tǎ )坐在(zài )一起(qǐ )，本来想借此机会表(biǎo )达爱(ài )意，没想(xiǎng )到在醉汉兄(⛴)弟的建议(🤜)(yì )下他(tā(🥞) )准备亲吻熟睡的吉塔，最(zuì )后一(yī )刻清醒的(de )维杰想用正(zhèng )确的方式(shì )追求(qiú )，并(🍖)准备拍一(🗻)张自拍后(🕌)回(huí )到自(zì )己座位。就在此刻巴(bā )士一刹车(chē )，维(wéi )杰亲上了吉塔同时按(àn )下了(🔉)(le )拍照(zhào )键(👡)。在吉塔哭(🔩)着给哥(gē )哥打电话时，害怕的维杰跳窗逃走(zǒu )了。本想(xiǎng )逃过一劫的维杰在妹(mè(🤘)i )妹的(de )订婚(🙍)仪式(shì )上(🌧)看见女婿的妹妹就(jiù )石化(huà )了，此女子正是吉塔。维(wéi )杰会(huì )不会被吉(jí )塔家人(〰)惩罚(fá )？(😫)他会不(bú(⬆) )会放(fàng )弃吉塔?

几部梦工厂动画制(zhì )作的(de )全新动画电视剧也将(jiāng )在Netflix上首播(bō )。包(⏯)(bāo )括吉尔(⛪)摩·德尔(💚)·托(tuō )罗（Guillermo del Toro）的(de )《巨怪猎人》（Trollhunters）和(hé )根据80年代动画(huà )《百兽王》（Voltron）重新(xīn )构思(sī(⚽) )的新(xīn )版(🌏)电视剧。

影(👌)片故事(shì )由一(yī )次旅途展(zhǎn )开，七个互不相识的(de )人，冥冥之中上了同一辆车。在车(🈁)(chē )辆进入(👿)黑(hēi )暗的(⌛)隧道后(hòu )，却永远(yuǎn )开不(bú )到尽头。经过多种尝试，他们(men )依然无法逃离。莫名(míng )出现(🚬)的尸(shī )体(🔪)，死而复生(😩)的故人以及(jí )突如(rú )其来(lái )的凶杀接踵而至。和(hé )这没有尽头的(de )隧道一样恐怖(⛪)的，是(shì )每(🖼)个(gè )人在(🔚)(zài )黑暗中逐渐暴露的人(rén )性……

When a man trying to break free from his involvement in a neo-Nazi group is continually harassed and tormented, he realizes the violent nature that was part of his past is the only answer.

跳出《比海還深》（2016）的助(zhù )導身(shēn )位，廣瀨奈奈(🚚)子繼承恩(📢)師(shī )是枝(🌡)(zhī )裕和一貫(guàn )家庭缺失主(zhǔ )題，以圓(yuán )熟的(de )敘事技巧，剖開父子(zǐ )關係(xì )的思(sī(😄) )考空間。憑(🚜)《誰知赤(chì(🛰) )子心》（2004）成(chéng )為史上最年輕康城影(yǐng )帝的(de )柳樂(lè )優彌，經歷過高山低(dī )谷，在死(🍫)亡邊(biān )緣(〽)走了一回(🎟)，與這個(gè )落泊(bó )孤絕(jué )角色感同身受。自殺(shā )不遂(suí )被中年鰥(guān )夫收留，獲編的(🤫)名字(zì )竟(⬇)與(yǔ )他的(🏣)亡兒相同。亦父亦子(zǐ )的微(wēi )妙關係，卻被兩人過(guò )去的秘密(mì )動搖(yáo )。兩個「缺(🌬)」的人生(🤰)(shēng )，能(néng )否(😋)合(hé )成一個「圓」？

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@