電(🔠)(diàn )影ࡀ
電(🔠)(diàn )影劇情(🧞)(qíng )是一部(bù )勵志愛(🎀)(ài )情故事(🎀)(shì )，講述(shù )男女主(zhǔ(😂) )角兩人(ré(🌙)n )因一次交(🏨)通意外，女(⛷)方(🍇)失去記(🅿)憶，男(nán )方因(🚸)此(cǐ )有預(💉)知(zhī )未來能(néng )力。吳(🔆)(wú )卓羲表(🌞)(biǎo )示：「我哋呢(ne )套(💣)係一(yī )部(🖐)愛情(qíng )至(🐙)上，又好凄(qī(🌤) )美又浪(🔞)(làng )漫嘅愛(à(🔇)i )情片，男女(🤤)之間又唔係牽涉床(👕)上戲嘅，溫(🤮)馨鏡頭嘅床戲係有(👲)，都要睇劇(👄)(jù )本睇下(🐔)(xià(🉐) )有冇需(xū(👽) )要攬呀錫呀，其實情(⚽)侶(lǚ )關係(🕐)必(bì )須要有(yǒu )嘅，如(🚢)(rú )果唔係(🐾)(xì )觀眾唔(🤓)(én )知你係(😦)(xì(👀) )情侶。」(🛠)
阿黛尔和她(👶)的母亲孔(🍀)查生活在城郊(jiāo )的(🍊)一个(gè )贫(⛱)民窟(kū )里。孔(kǒng )查的(🤼)丈(zhàng )夫是(🥩)个(gè )可恶(㊗)的(de )暴徒，他使(🎎)母(mǔ )女俩长(zhǎng )期生(🤭)活(huó )在暴(🥐)力(lì )和虐待(dài )之中(🎙)。对此忍无(🍸)可忍的孔(🏅)查决定不(🚗)顾一切风(😌)险，偷走一大(🕥)笔钱，并带(🛸)着(zhe )女儿阿(ā )黛尔逃(🎦)(táo )离。不(bú(🎯) )幸的是，她们在出逃(🤰)中(zhōng )被发(🚁)现(xiàn )了。在(🌧)(zài )追捕过(🤠)(guò(🐞) )程中，孔(🥧)查却(què )意外(⬅)地(dì )驾车(🎐)撞(zhuàng )死了丈夫……(💛)这场逃离(📯)注定是一次冒(mào )险(😾)，而(ér )母女(📔)俩(liǎng )竭尽(💄)全(quán )力，才(cá(🧘)i )能挣脱(tuō )一直禁(jì(🌆)n )锢她们(men )的(🦍)牢笼(lóng )。在这(zhè )段跨(😗)越(yuè )生命(🧦)的(de )寓言中(🎋)(zhōng )，力量(lià(🔥)ng )、困难、(😮)爱的希望、(🚃)机会和死(🕥)亡如影随形。
印度每(🎗)年有超过(🥗)二万(wàn )宗针对(duì )女(🍰)性的(de )暴力(⛰)罪(zuì )案，平(🎆)均每二十二(🕖)分钟(zhō(🏣)ng )就有一(yī )名(🥅)女性(xìng )被(😊)强暴(bào )，每六(liù )小时(📑)就(jiù )有一(👏)名(míng )妇女因(yīn )家庭(🥂)暴力丧命(🚇)。年轻的基(📈)层女警索妮(😿)(nī )与上司(sī )卡帕纳(🔂)(nà )在德里(💖)(lǐ )一同接(jiē )手调查(🍥)(chá )不同的(🙍)(de )女性暴(bà(😲)o )力事件(jià(🥂)n )，在办(bàn )案(🕤)过程(chéng )中往(🈺)往(wǎng )遭受(🆖)到(dào )了重大阻力，无(🗡)日无之的(🍘)罪案令她脾气暴躁(🏡)，做事方式(🐫)偏离常规(🎟)，被裁(cái )定在(💽)执(zhí )勤(👒)中行(háng )为不(💠)当，而私人(🔟)生活也影响到(dào )了(✂)她的(de )职业(🚁)表(biǎo )现，与(yǔ )丈夫已(🌉)(yǐ )经彼此(🎬)(cǐ )疏离，却(🐵)要被迫面对(🤠)他突然的到访。印度(🙉)电影少见(🖼)(jiàn )的写实(shí )题材，以(🧞)一场(chǎng )一(🔎)镜营(yíng )造(🧘)出真(zhēn )实(🥖)迫力(lì )，将(🎿)社(shè )会低下(💕)(xià )层女性(🔰)(xìng )受到压(yā )迫的问(🖨)(wèn )题表露(🎙)(lù )无遗。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
导演瑞泽在(♓)家中被人(🚦)残忍杀害(🥘)，恰好在远方(💷)目击杀(📢)人现场的段(🧦)爷(yé )前去(📙)救(jiù )援，却(què )被随后(🏯)赶到的警(🍟)察赵正浩当作(zuò )杀(🔓)人犯(fàn )，经(💲)过(guò )初步(👙)排(pái )查，警(jǐ(💕)ng )方确定(dìng )此案应(yī(🦅)ng )属熟人作(🍣)案，在被害人瑞泽的(🚑)社会关系(⛏)调查(chá )中(✊)，赵(zhào )正浩(😎)发(fā )现瑞(☕)泽(zé )于死前(♏)(qián )数日曾(🏘)(céng )与几位(wèi )大学同(🤘)(tóng )学在某(🦇)(mǒu )桌游吧(ba )聚会过(guò(🍷) )，此次(cì )聚(🏃)会中(zhōng )竟(🥇)有自己的妻(🧖)子——(🔦)法医书萱在(🌝)场。却正撞(🛹)上偷偷摸摸前来找(😣)线索的段(🎨)(duàn )爷，两(liǎng )人做起(qǐ(📠) )了临时探(🚓)案搭档。
Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(⛰)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
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