一名参加过一战的退伍军人被派往库塔那德担任邮差，负(😑)责给(gě(🐐)i )服役士(⛴)(shì )兵的(🐶)家(jiā )属(📠)递送(sò(🚹)ng )补助金(🖍)及信件。随着(😺)第二次(👖)世界大(👣)战的爆(😀)发，他的(😥)身份逐渐发生(shēng )了变化(huà )，从送(sòng )钱之人(rén )变为了(le )报丧之人(🆒)。
本片撷(🎴)取了发(🐜)生在中(🕒)国北方(🈁)小城镇(🗾)中一个(🚲)中国青年出(😭)(chū )狱后(♈)的(de )一段(🛎)人(rén )生(🙂)经历(lì(💼) )，讲述(shù(🗜) )了一个小人物在商品经济的大潮中与时代的隔离，以及人们(🕦)对金钱(🉑)的崇(chó(🔞)ng )尚和理(😻)(lǐ )想、(😅)道(dào )德(🕧)的流(liú(🚾) )失，对(duì )社会(🌇)与人性(😛)作出了(💝)深度拷(🌡)问。尤其(😉)是本片以中国农历冬季的四个(gè )节气作(zuò )为篇章(zhāng )，具有(yǒ(🔥)u )强烈的(🐗)(de )中国文(🐦)化符号(🛒)视觉。
1926年(🕷)，在面临(🀄)个人生(👿)活破碎和写(💍)作瓶颈(🌧)危机的(🥕)(de )情况下(🎼)(xià )，年轻(🐘)(qīng )的阿加(jiā )莎.克里(lǐ )斯蒂决定自己去解决一个真实生活中的谋杀(🏰)案。
故事(⛲)发生在(💀)墨西哥(🏅)城的(de )一(🎾)个中(zhō(🥪)ng )产阶级(🎊)(jí )社区“罗马(🍠)”，讲述年(🌽)轻女佣(🎄)克里奥(🛹)（雅利(🙂)扎·阿巴里西奥饰）在雇主索菲亚(yà )（玛丽(lì )娜·德(dé )·(🏝)塔维(wé(🙃)i )拉饰）(😃)家中工(🥈)作，该家(🤞)中索菲(👑)亚的丈(🦂)夫长期在外(💊)，由女佣(🥅)克里奥(🤽)照顾索(🍴)(suǒ )菲的(🎳)四(sì )个孩子(zǐ )。突如(rú )其来的(de )两个意外，同时砸中了女佣克里(🍭)奥和雇(💽)主索菲(👲)亚，两人(🔡)究竟该(🎺)如(rú )何(📣)面对(duì(🈺) )苦涩茫(🤶)(máng )然的生(shē(🎣)ng )活？四(👶)(sì )位孩(💢)子似乎(🚭)是希望(🈺)所在。 这是以导演阿方索·卡隆的儿时记忆铸成的影(yǐng )片，而(😔)(ér )卡隆(🆘)其(qí )实(🌍)就是(shì(🛢) )片中某(👒)(mǒu )一位(♏)小孩。
风(🎶)度翩翩的医(🚻)生动了(🥑)色心，欲(🎱)迷晕少(⚪)女但错(👕)手杀人，险被送(sòng )上断头(tóu )台，以(yǐ )为逃出(chū )鬼门关，岂知魔鬼(🛃)已盯上(📛)他。战争(🏄)前夕，他(🏉)被发配(🤩)边疆，继(📥)而被(bè(🍬)i )奥匈帝(📽)(dì )国将领(lǐ(🛫)ng )重用，沉(🖌)迷研(yá(📜)n )究麻药(⏪)乙醚。药(🕝)物能麻醉止痛，亦能制造不知痛楚不懂畏惧的科学怪人(rén )。而(🤞)他(tā )心(➕)底的(de )欲(😂)望，是想(🤛)找(zhǎo )到(🗃)完全驾(🛣)驭他人(🍆)灵魂的方法(🚉)。赞禄西(🏮)继《色》（(📷)39 届）后(🖥)再度审(🚠)视(shì )传统道(dào )德防线(xiàn )，两段(duàn )式结构(gòu )揭示妙手狂医跟魔(🌉)鬼握手(🍪)的浮士(😢)德心路(🚃)，亦检视(🤦)法西斯(🛥)之兴起(🎻)，绝对的(de )权力将(jiāng )令(🗓)人绝(jué(💋) )对腐化(🙋)(huà )。
BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’(🌙)ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’(🌲)s a reasonable amount of blood, then there’s nothing to worry about.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
